What happens when you strip away the ‘Vision’ from the Eurovision Song Contest? As part of the first US radio broadcast of the Song Contest, Ewan Spence looks at the impact of ‘all sound, no visuals’ on the Contest, and how it can help to explain the disparity between televoters and jurors.
While Pearl Carr and Teddy Johnson sung “Where we promised our true love, for all eternity” to each other, their little birdie was the a catalyst that changed the Eurovision Song Contest. As Ewan Spence discovers, this wasn’t the first time Teddy Johnson had influenced the evolution of broadcasting.
As the Eurovision Song Contest 2018 is packed away in a little box, what musical earworms, hook-laden tracks, and thematic albums has this year’s Contest delivered? As summer stretches out before us, we Ask ESC Insight to look beyond the 43 to what has reached their playlist for the off-season.
Continuing our look back at this year’s National Final selections, Ewan Spence discusses which countries made the wrong choice regarding the performers and songs to send to Lisbon for the Eurovision Song Contest 2018.