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Eurovision Insight Podcast: Eurovision Again 1969 Written by and on June 19, 2021 | 1 Comment

Eurovision Again returns for Summer 2021, and that means our ESC Insight companion podcast is heading to Madrid 1969. Add our RSS Feed to follow us in your favourite podcast application, or click here to follow us in iTunes and never miss an episode.

It’s a welcome return to Eurovision Again for the summer, and a chance to go back in time and share another historic Eurovision Song Contest. This month the community is heading to Madrid for the 14th Song Contest, and just as we did last year, ESC Insight has a companion podcast for the show where we can go behind the scenes, talk about the National Finals, look over the rule book, and experience a Podcast Postcard.

Eurovision Insight Podcast: Eurovision Again 1969

A companion podcast to Eurovision Again’s trip to Madrid. Join us as we go over the rulebook, National Final gems, the State Of Pop, and the history of the Teatro Real.

Hosted by Ewan Spence, with AJ Clay, and Tatiana Benidovskaya from Madrid’s Ogo Tours.

Stay in touch with the Eurovision Song Contest during the new season by listening to the ESC Insight podcast. You’ll find the show in iTunesGoogle Podcasts, and SpotifyA direct RSS feed is  available. We also have our email newsletter which you can sign up to here.

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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One response to “Eurovision Insight Podcast: Eurovision Again 1969”

  1. Marc says:

    An interesting insight of a completely different era. This was the first contest I ever watched and is one of my earliest memories of anything. I watched with my father and we filled our own scores in the chart printed in a newspaper. In those days, that’s what we were encouraged to do rather than throw parties.
    We were both disappointed that Lulu didn’t win outright, as we couldn’t see any merit in the three other winning songs. A lesson I learned (at age 8) is that I’d have enjoyed the contest a lot more if I’d got to know those other entrants as much as I had Boom Bang A-Bang. Not so easy to do in 1969 as it is now. We couldn’t have begun to imagine how much the contest has changed in 50 years.