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Welcome To The Greatest Melodifestivalen For A Generation Written by on February 5, 2021 | 1 Comment

This week sees Melodifestivalen, the competition to select Sweden’s entry to the Eurovision Song Contest, begin its traditional six week season to cut twenty-eight songs down to one. Ben Robertson explains why the 2021 competition might end up being one of the show’s greatest.

Once again it’s time for the only Swedish TV event that can rival The Donald Duck Christmas Special on Swedish television. Welcome to another season of Melodifestivalen!

On paper all is as usual. As with previous years, we have 28 songs competing for the chance to represent Sweden at the Eurovision Song Contest, to be held in Rotterdam this May. It will take six weeks of Saturday night primetime viewing to work out which song and artist gets that privilege – as Sweden searches for its seventh victory to equal Ireland as the country with the most victories.

This all may sound familiar, as of course the prize for winning Melodifestivalen a year ago was a trip to Rotterdam. Sadly due to you know what the 2020 Eurovision Song Contest was cancelled in March last year. Despite some countries immediately selecting the same artist for 2021, it was immediately decided in Sweden that Melodifestivalen would return. Part of this rationale is that the competition here just to select the song for Eurovision is such a big part of culture, tradition and the music industry that it would be sacrilegious to get rid of it. The other reasoning is that Melodifestivalen, literally “The Festival Of Melodies”, is a competition of songs, not artists, and the European Broadcasting Union ruled that new songs would be needed for 2021.

You know what has also meant his year’s Melodifestivalen is different from the usual razzmatazz. All songs are to be performed from one venue, Annexet, part of the complex around Globen in Stockholm and was used as the Eurovision Delegation Area in 2016. However only the most essential of journalists and staff covering this year’s Melodifestivalen will be on the ground.

Unlike in other parts of the world where there are strict bubbles for artists and workers to be in at the venue, there is no such circus from ice hockey arena to ice hockey arena around the land. However all involved are asked to follow the recommendations from Sweden’s Public Health Agency, Folkhälsomyndigheten. One example of those is the work of the house dancers, a team of four dancers that will perform in opening acts, interval acts and in 10 of the 28 competing compositions. They, and others, are asked to keep a distance of 1.5 metres at all times, and for rehearsals they are wearing distance sensors and face masks to follow the protocols. Record labels have also co-ordinated back up singers for each of the acts should anybody fall ill in these coming weeks.

Kadiatou’s running through her routine on the Melodifestivalen 2021 stage (Photo: Stina Stjernkvist, SVT)

Despite all this, part of the brief of Melodifestivalen 2021 is, as always, about creating a party event for all of Sweden. In Swedish culture it can be common for many families up and down the land to join together to watch this highlight on the TV calendar. With meeting up in each other’s homes something the recommendations here say to avoid currently, SVT have released their own Mello Tillsammans app, designed for families and friends to be able to share the live experience from wherever they are.

There is also the rather unique opportunity to create a stage show with extra sparkle. Rather than a flat-pack stage that must be transported nationwide and rebuilt every week, instead the stage can be left in-situ for the entire six-week production. Without an audience in attendance, the focus on production is about creating a show designed purely for television. To do this, stage designer Viktor Brattström has incorporated a lower rigging with a mirrored ceiling and camera positions set far closer to the artists. As a TV viewing experience the wow factor should be far more enhanced.

And performing on that TV spectacle will be a group of artists which together make one of the hottest lists of artists in the competition in modern times. Previous winners returning to the contest include Arvingarna (1993), Charlotte Perrelli (1999, and the winner of the Eurovision Song Contest that year), Jessica Andersson (2003) and Eric Saade (2011) and last year’s winners The Mamas. Among the other favourites to look out for are Dotter, who only lost by one point in a super tense final last year, Tusse, the winner of the 2019 Idol series and Danny Saucedo, a notable 2nd place finisher in both 2011 and 2012 and one of Sweden’s biggest name performers.

To get a list of artists so strong into the competition this year has in part the current global situation to consider. Danny Saucedo has already spoken to the press about why he thinks Melodifestivalen is one of the few avenues an artist has to show off their artistry this year, and how this is the best platform now to show something new to the Swedish public. With concerts only at this point a long-lost memory, here is a competition offering one of the few opportunities to perform to the masses.

And for those artists taking part this year, Melodifestivalen itself may be bigger than ever before. Sure there is no grand tour across the country, but with a country stuck at home live event television is expected to be a bigger draw. On Christmas Eve, nearly 4.5 million people were watching those Donald Duck cartoons on SVT, the highest figures since 1997. There is an expectation that this year’s Melodifestivalen may have a similar viewing figure bounce as more people tune in to hear the spring’s biggest hits live and the edge-of-your-seat voting.

All of this means that despite the current circumstances this year’s Melodifestivalen may be the biggest of a generation.

About The Author: Ben Robertson

Ben Robertson has attended over twenty Eurovision's, Junior Eurovision's and National Finals for ESC Insight. He uses statistics to explain the Song Contest aims to educate readers about what the Song Contest means to do many different people.

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One response to “Welcome To The Greatest Melodifestivalen For A Generation”

  1. Shai says:

    The last Swedish song I still love till this date, comes from 2004- Lena Philipsson’s It’s Hurt, which may be a typical Swedish song but has heart and soul.
    Heart and soul is what I miss from Swedish Eurovision entries of last 10 years or more. Even when they have sent songs that are supposed to have soul, the songs still sounded more like a plastic product than a song I could care about.
    You will understand that I am indifferent to the whole MelodiFestivalen hype, which goes around.

    I for example look more forward to UMK, the Finish national final, which has far more interesting songs in one final, than what the Swedish might have on offer in their whole 6 shows

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