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Time To Shine, Time To Change Eurovision’s Starting Time
Midnight on the streets

As the self-styled favourite TV show of Europe, the Eurovision Song Contest manages to miss prime time Saturday night and runs well past midnight for the majority of viewers. Lisa-Jayne Lewis looks at one simple solution to this problem… change the starting time.

Eurovision Insight Podcast: Eurovision Castaways, with Sharleen Wright
Eurovision Castaways.

The ESC Insight crew are off to Île de Bezençon for the summer with their favourite Eurovision related songs and stories. Next up at the customs desk is Sharleen Wright who has tales of minor crimes and misdemeanours involving Tim Tams, watching the contest as a child in Australia and argues over whether or not Johnny Logan is cool.

Why Is The Eurovision Song Contest The World’s Favourite Comedy Vehicle?
The Sax Solo

Who’s got Eurosong Fever? Who can’t wait until the competition’s on in May? From Father Ted and Monty Python to Stephen Colbert and Edward af Sillén, the Eurovision Song Contest provides an easy punchline, but there’s more to the sequins than the non sequiturs. Samantha Ross asks why the Eurovision Song Contest is such a rich source of humour and a target for comedians the world over.

Eurovision Insight Podcast: In The End There Can Be Only One
ESC Insight 2012 Album Cover

As the season gets under way, Ewan Spence rounds up the current state of play with Junior Eurovision 2017 and the Eurovision Song Contest 2018 in the latest ESC Insight news podcast, along with developments in Asia and music from Benny Andersson’s piano.

Let’s Play Another Game Of Ten Thousand To One
The summer sundial shortens (Flickr/cc Judy Dean)

You might think September 1st is a big day in the Eurovision calendar, but Ewan Spence wants to argue for today, August 31st, as a day to enjoy.

Eurovision Insight Podcast: Eurovision Castaways, with John Paul Lucas
Eurovision Castaways.

This week, our castaway on Ile de Bezencon is John Paul Lucas. He tells us how Ira Losco blew his mind in 2002, regales us with tales of near-death experiences at Eurovision parties and has issues with the concept of the ‘wrong sort’ of Eurovision fan.


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