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Here you’ll find all the podcasts for ESC Insight’s Eurovision Song Contest Podcast.  You’ll find the show in iTunesGoogle Podcasts, and SpotifyA direct RSS feed is  available. Or listen to the shows by clicking and listening in your browser!

Eurovision Chat Over Coffee, Basel 2025 Art Director Artur Deyneuve
Discussing Basel 2025 design and the Eurovision brand (photo EBO / SRR SRG)

Ewan Spence sits down with Artur Deyneuve to talk about the visual design of Basel 2025, the Swiss Grid, half tone images, why Helvetica is not the chosen font, and more, in the latest ESC Insight Chat Over Coffee podcast.

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ESC Insight Presents…..Eurovision Wars: The Malmö Boycott And The Irish Witch
Eurovision Wars S03E03, The Malmö boycott and the Irish witch (artwork: Phil Dore, Wikimedia, EBU)

Join Phil Doré and Ana Oppenheim as they explore the controversy and the politics that impacted Bambi Thug, Ireland, and all the artists at the Eurovision Song Contest in 2024, arguably the most controversial season in the Song Contest's history.

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ESC Insight Presets… Eurovision Masterpiece Collection: Loreen

You win the Song Contest, you win it again, but you know your favourite artists have more music. Join David Horton as he highlights some of the best music from our legends as ESC Insight presents the Eurovision Masterpiece Collection.

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Eurovision Chat Over Coffee, with Eurovision Reference Group Chair Bakel Walden
Bakel Walden, Chat Over Coffee podcast artwork (image: EBU.ch)

Ewan Spence sits down with Eurovision Reference Group chairman Bakel Walden to look forward to Basel 2025 and look back at Malmö 2024 and one of the most controversial seasons in the Contest's long and storied history in the latest Chat Over Coffee interview podcast.

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ESC Insight Presents…..Eurovision Wars: How To Politicise A Song
Eurovision Wars S03E02, How to politicise a song (artwork: Phil Dore, Wikimedia)

In this episode of Eurovision Wars, we discuss 'October Rain' and 'Hurricane' from Israeli singer Eden Golan, and 'Wild West/Vestrið villt' from Palestinian singer Bashar Murad. What viewpoints did they represent, how did the community and the organisers react to these songs, and why do many consider them political songs?

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