Can the drive to produce a great story to bring the Eurovision season to a rousing finish lead to a serious case of Tall Poppy Syndrome? Sharleen Wright thinks so.

With an audience putting the kettle on, buying another pint or waiting in line for the toilet, it can be easy to see why performing after an advert break is a disadvantage. But is it? Ben Robertson does the maths so you don't have to.

Tonight, we finally complete the lineup for the Grand Final of this year's Eurovision Song Contest, and after a predictably unpredictable set of results on Tuesday, nobody should be taking anything for granted...

For the first time in years, foreign language features most heavily as the favourites of the contest. Keith Mills looks at how this years tagline of 'Celebrate Diversity' has been embraced by viewers and voters for Eurovision 2017.

The power of storytelling can’t be underestimated at the Eurovision Song Contest. Sharleen Wright examines how Eurovision 2017 creates it's own distinct narrative through imagery.