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Eurovision Insight Podcast: Daily News From Rotterdam, Sunday 16th May Written by on May 16, 2021 | 1 Comment

Listen to the ESC Insight news podcast to stay up to date with all the Eurovision news and discussions from backstage at Rotterdam. Add the RSS Feed to your favourite podcast application, or click here to follow us in iTunes and never miss an episode.

As the Ahoy Theatre’s stage gets a rest from constant rehearsals, the city of Rotterdam steps into the limelight with the Opening Ceremony. Meanwhile we have news from across the Atlantic, with guests from across the Atlantic.

Eurovision Insight Podcast: Daily News From Rotterdam, Sunday 16th May

Why do some song styles keep returning to Eurovision? Why do some artists keep on trying to get to the Song Contest? And who’s going to vote for who in Americavision? Ewan, Sam, and Erik have a weekend chat on all things Eurovision

With Ewan Spence, Samantha Ross, and Erik Nelson.

The jury rehearsals and live shows start this week. Stay up to date with all the discussions, news, and previews by listening to the ESC Insight podcasts. You’ll find the show in iTunesGoogle Podcasts, and SpotifyA direct RSS feed is  available. We also have a regular email newsletter which you can sign up to here.

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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One response to “Eurovision Insight Podcast: Daily News From Rotterdam, Sunday 16th May”

  1. Shai says:

    There is no bigger difference in attitude to the contest than the one between Sweden and Georgia.

    Sweden send songs that are supposed to win the contest, or at least do well. Georgia, at least since 2018, send songs they like, regardless of how well they do or not.
    Georgia’s efforts are more miss than a hit. Nevertheless,I applaud them for keep trying and for taking a risk.

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