Belarus Should Have Sent ‘Potato Aka Бульба’
There are true Eurovision fans who watch the Grand Final religiously every year, there are those who join in with the Semi Finals, others make a point of watching their broadcaster’s National Finals. And then there are those at the other end of the scale who will watch the fixed camera livestream from the Belarussian auditions.
The latter discovered the earworm of the season and we’ve made sure to let everyone know the power of the (mis-heard) ‘Potato Acapulco’ For some reason BTRC didn’t even let this into the televised rounds. What a missed opportunity!
Australia Should Have Sent ‘2000 And Whatever’
A number of broadcasters would love a ninth place finish at the Eurovision Song Contest, but for Australia it feels like a poor return given the press interest around Kate Miller-Heidke and ‘Zero Gravity’. Put aside the intensely personal lyrics, the real story of Australia 2019 was spectacular gimmick from Strange Fruit that saw Kate and her backing performers wobble around the stage in time to the poperatic chorus.
And perhaps that was the problem. This was the first year that Australia held a National Final. Watching that show, there was a huge emphasis in the VT clips between the performances on what made a ‘good’ Eurovision song. If you tell the Australian public that Eurovision is all about gimmick and spectacle, then the gimmick and spectacle song is going to have an advantage in the public voting.
If the VT focus had been more on diverse musical styles and creating emotion in the viewer (arguably the key to winning in the last few years) then the audience would have been guided elsewhere, and the likely victory would have been Electric Fields’ ‘2000 and Whatever’.
Moldova Should Have Sent ‘Ca Adriano Celentano’
After a number of years of sending utterly memorable and memeable moments to the Eurovision Song Contest, Moldova managed the same again for 2019, but this time for all the wrong reasons – a rather tepid song coupled with an on-stage presentation that everyone recognised as ‘Ukraine 2011’s Sand Lady’. This is not the combination that has brought Moldova success.
Much like Belarus, the real goldmine was the audition phase. Much as I love the absolute madness of ‘Robin Hood’, I’m drawn into the turbo-prog-folk power of Irina Tarasiuc & Lume with their ode to the pillar of Italian music in ‘Ca Adriano Celentano’. It was all here, you just had to follow the plan that had worked so well for you in Lisbon and Kyiv.
Sweden Should Have Sent ‘I Do’
John Lundvik (eventually) took fifth place after the jury votes were re-calculated, but the irony is that ‘strong jury and poor televote’ has been the Swedish story for the last three years. Another year of a male solo singer, another year of relying on impactful staging, another year of the same split result.
Much like Australia, the final result feels lower than the personal target. SVT, it’s time to change the story at Melodifestivalen to change the story at the Song Contest. Looking at the entry list there were a number of choices that could have stood out – Wiktoria, Anna Bergendahl, and the duet of Hanna Ferm and Liamoo – but given the success of the ‘feel happy’ songs at the Contest (‘Say Na Na Na’ and ‘Spirit In The Sky’), I’m going to cheer for a return to Eurovision for Arvingarna.
Denmark Should Have Sent ‘League Of Light’
I’ll be honest, I’m still undecided about this one. Leonora did qualify for the Grand Final (err…) and made the left hand side of table, and I’m the first to admit that it is a real marmite song. But nothing about it says ‘Danish’, and at an emotional level I like my Eurovision songs to say something about where they come from.
Which means I’ve been much more invested in ‘League of Light’ and the return of Greenlandic of Dansk Melodi Grand Prix than ‘Love is Forever’. More honesty and authenticity will always win me over – consider this my personal wild card.
Croatia Should Have Sent ‘Tower Of Babylon’
You can’t escape the feeling that ‘The Dream’ was less about Roko getting to Eurovision than Jacques Houdek returning to the Song Contest. From the weak use of the wings to the poor use of CGI on the Tel Aviv backdrop, Croata deserved more.
Lorena Bućan finished second in the return of Dora with ‘Tower of Babylon’. This strong, female-focused number with lots of staging potential would have given the semi final running order a bit more drive and direction, which could well have been enough to get to Saturday night.
Ukraine Should Have Sent ‘Siren Song’
It’s going to be the great ‘what if’ for the ages. Did Ukraine have a potential winner here? Would it have depressed the votes going towards Sergey Lazarev? Just how mental would the back half of Semi Final 1 been with ‘Siren Song’ in the mix? We’ll never know…
We’ve already looked at the National Finals that got it right – read that article here. As for the big mistakes of the year, do you agree? Let us know in the comments!