The last few years have seen a rise in ‘automated’ camera work at the Eurovision Song Contest with the use of CuePilot. Does it make a difference to a performance, and can it give an edge when chasing victory? Gil Laufer and Alexander Åblad study its impact.
Eurovision Castaways and the Île de Bezençon welcomes another visitor, as Elaine O’Neill brings her eight records and a luxury… if she can get them past the customs desk and Ellie Chalkley.
A companion podcast to Eurovision Again’s trip to Jerusalem 1999. Join us as we go over the new rules, National Final gems, the State Of Pop, and more. With Ewan Spence, Ellie Chalkley, and Roy Delaney.
In a turbulent year for the BAME community, Fin Russell talks about the lost opportunity of Rotterdam 2020 and his hopes for BAME representation in future Song Contests.
Ewan Spence and Ellie Chalkley sit down with a review copy of Netflix’s ‘The Story Of Fire Saga’ to talk about the film, the portrayal of the Song Contest, and the moments that Eurovision fans need to watch out for.
Pre-recorded backing vocals will be allowed at the Eurovision Song Contest 2021. Ewan Spence explores why this change is a significant and positive step in the evolution of the Song Contest.