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Which National Finals got it horribly wrong for Eurovision 2012? Written by on June 6, 2012 | 35 Comments

Now we’ve seen the results of this year’s Eurovision Song Contest, and had a chance to think about why countries received the votes that they did, it’s clear to us here at ESC Insight that while some countries managed to perform to the best of their expectations, there were others that left votes on the table.

Or more to the point, left the votes back in the National Finals and selection process. Which countries do we think got it horribly wrong and sent the wrong song to Baku? More to the point, was there a better song available?

Norway should have sent… Ola Nordmann, by Plumbo.

Tooji, lovely Tooji, the surprise winner of Norway’s MGP. With the help of a backing track. Stepping out on stage at Baku Tooji’s vocal performance was not up to scratch. Barely making it out of the semi-finals gave Norway’s NRK  some cover, otherwise it would have been three poor results in a row. But that last place on Saturday night will sting.

Sitting at home was controversial Rock/Folk combo Plumbo. Darlings of the public, disenfranchised by the mainstream media, they still made it to the National Final, but in the super-round suddenly lost all their support. With enough live performance experience, they would have kept Bulgaria out of Saturday night, and climbed higher than Tooji in the final reckoning.

Belarus should have sent All My Life, by Alyona Lanskaya.

I know this wll be a controversial choice with some of you. Litesound were big in the hall, big in the public vote, and loved across Europe. Once they were given the tickets to Baku in place of Alyona Lanskaya, it started to go wrong. Their rock song was handed to a Greek team to improve it, which they did by going from rock to dance; the band took to the stage with a song that I suspect was so far from their original vision their heart wasn’t in it; and brought with them the pressure of a nation on top of the worries about their career prospects on Monday May 27th… That’s not a recipe for success.

Much like Terry Wogan shouting “Cyndi!” when everyone else went with “Scooch!”, there’s method in the madness. Purely on musical merit, I think All My Life would have been a far better song on the Crystal Hall’s stage.

Austria should have sent… That’s What I Am, by Conchita Wurst.

It’s a Song Contest, and songs do well at song contests, not flashy stage performances with no substance. Rona Nishliu proved that with a stunning song, coupled with a look that was pure Max Von Sydow’s Ming the Merciless from Flash Gordon. At the other end of the first semi-final you had the Trackshittaz. All performance, no song, and if we’re fair, a neutered performance from the Austrian National Final.

ORF ran a head-to-head final round at that Final, and opposite the rude rappers you had Conchita Wurst. A stunning cabaret drag act with a fantastic voice, a powerful ballad, and mastery of the stage and the camera. Austria should not have sent the show, they should have sent the song.

Finland should have sent… anybody else.

Pernilla Karlsson had a lovely song, but it wasn’t suitable for Eurovision. Much like Portugal Finland sent something they were proud of. This isn’t a competition about pride, though, it’s national combat through power chords. 540 songs submitted and they go with this one…

Latvia should have sent… Music Thief, by The Mad Show Boys.

If you’re going to send a novelty song (be honest, ‘Beautiful Song’ is a novelty number), then you should commit 100% to your novelty. San Marino did, and the republic had their best Eurovision result ever. Latvia have always sent numbers on the lighter side, but there was something about Anmary that ached to be taken seriously. I bet that confused people watching as to what the song was about.

If you want to go for novelty, go for novelty with no compromises. And that means the Mad Show Boys, who finished third in the Nationals.

Switzerland should have sent… My Love, by Ultra Nate.

It never even made it out of the long list and into the televised National Final, but if there was any song that was ‘a bit like Euphoria’ in any of the selections, it was this one. High energy disco, a bit of a schlager legend, and it even had the requisite American presence on stage – except unlike Ausbin, Nate could do the dancing and the singing. It’s still the opening track on my ‘Second Chance’ playlist, ten months after it first broke cover. More than Conchita, this is the missing hands in the air ‘big gay anthem’ of 2012.

And as it’s not strictly ‘Eurovision music’ we could have heard it in the Euroclub this year.

Iceland should have sent Stattu Upp by Blar Opal.

This one hurts, because I fell in love with Greta Salome and Jonsi’s dramatic number the first moment I heard it (and I think I still love it more in Icelandic than English). The warning signs were there for all to see in the National Final… Mundu Eftir Mer lost the public vote to Blar Opal, although it did top the Jury. To be fair Iceland did qualify for the Grand Final, and that’s important for many countries, but it disappeared on the Saturday night show. Perhaps something with a bit more public support was needed…

Ireland should have sent Here I Am, by Andrew Mann.

You don’t go back again.”

It’s a simple Eurovision rule with one exception (called Johnny Logan). Both Jedward and RTE forgot this one. Again, there is the benefit of getting out of the semi-final thanks to the power of their fanbase – the BBC had almost twice as many viewers for the first semi-final than the second, which is down to either the Babushkis or the Grimes twins – but their schtick felt tired and dated. Anyone pitching a Jedward at Eurovision story at their editor would have it thrown back at them with “we did this last year, what’s new?”

Even with all this jokes about “not wanting to host Eurovision” I doubt RTE are happy with nineteenth place.

Yes, this is a delightful game of “what if?” and there’s no way anyone can be proven right or wrong, but let the debate commence in the comments to the songs you would have switched over for the ticket to Azerbaijan! And if you want another big selection of choices, Nick van Lith has is own selection of “Should haves” over on EscXtra.

On the flip side, there were some countries that we think got it right in terms of selection for Eurovision 2012. We talk about who picked the right songs here!

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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Have Your Say

35 responses to “Which National Finals got it horribly wrong for Eurovision 2012?”

  1. Miss Purple says:

    Um, no. Plumbo would NOT have qualified had Norway selected them. Especially in such a tough semi as Norway were in this year. Plus I really don’t get the love for that song, it was HORRIBLE and I’m glad it didn’t win MGP.

    Anyway, as for what I think certain countries should’ve sent this year: Belgium should’ve sent the other song in their NF, it would’ve done better than second-last in the semi at least.

  2. Ewan Spence says:

    To be fair any song would have been better for Iris.

  3. Jaz says:

    Belarus should have sent the original We Are the Heroes for sure, although I’d prefer the discoed-up version any day over Alyona’s song, which made me want to kill myself.
    I absolutely agree with your pick for Switzerland. Letting Ultra Nate go at such an early stage was a big mistake. She may not have done any better than Sinplus (who actually pleasantly surprised me with their performance, and as we all know only just missed out on qualifying) but she would have gone down very well in the hall.
    Stattu Upp was a real gem in Songvakeppni this year. I think Iceland would have benefited from sending that (more so than they did with Greta and Jónsi, anyway) although it was quite similar to Romania/Ukraine in many ways, which may have gone against it.
    I was hoping Donna McCaul would win the Irish selection. Her song wasn’t groundbreaking but it was catchy, a hell of a lot better than Love? and it wasn’t sung by hyperactive twins – the biggest drawcard.
    Lithuania may have gotten a better response with Home by DAR (great song) but Donny did do better than many expected, so he probably was the right choice for them in the end.

  4. To claim that Norway would have been better off with Plumbo in Baku is rather ridiculous. We’d rather prefer scoring 0 points and coming last in the semi-final than being represented by a group of rednecks with questionable attitudes and rubbish music. Tooji made us proud and we would vote for him again!

  5. Ervin says:

    I agree on most choices, especially with the one for Switzerland!
    I am pretty sure Ultra Nate would have done much better, and she would have been a finalist. She wouldn’t set the scoreboard on fire, but even a finish on the middle of the scoreboard would have been their best result since 2005.
    I would also add that Ukraine should have sent Max Barskih instead of Gaitana.

  6. Peter says:

    @ Miss Purple: I agree with Ewan – Plumbo would have easily qualified, and would have ended much higher up the order than Sulky Saade-v2 with his generic pop wannabe number. Ola Nordmann was a distinctive song compared the rest of the entries, and a decent energetic performance from Plumbo would have helped it to stick in people’s minds.

    I also agree with his choices for Belarus and Austria, they both messed up big time. And while I hated Music Thief, I’d have loved to see it performed in Baku even though it would have still bombed!

    I don’t see what was wrong with Finland though, and definitely wouldn’t have chosen something like Stig instead. Pernilla had a real beautiful song, and totally deserved to do better than it did.

    And even though Germany managed 8th, I still think they should have gone with Ornella, who knew how to sing instead of mumbling along to the music!

  7. togravus says:

    Personal taste: Lithuania should have sent Beissoul and Austria should have sent Valerie
    Results: Finland should have sent Leola ( although I love ‘När jag blundar’ …)

  8. Ciaran says:

    Well Dima Bilan returned and won, I guess Jedward wanted to do the song.

    Ireland got it right, Jedward created a huge buzz and everyone as predicting a top 10 for them. To come out now and say should have picked something else is a bit ridiculous.

    Norway, Iceland and Ireland all did worse than expected, but those songs you suggested instead I doubt would have done as well, especially the Norwegian alternative.

    I agree however on Belarus (loved Alyona’s song, hated Litesound) and on Switzerland (loved unbreakable but Ultra Nate sounded amazing finalist for sure)

    One I’m not to sure on is Austria, I liked both Trackshittaz and Conchita Wurst, but I think both would have fialed to make the final.

    Only thing I can say is that trackshittaz was a look to the future (in the next 10 years I am sure a rap song will win eventually) whereas Conchita was more someting of the past, we’ve already had gay anthem trans (Dana, Verka, DQ) etc

  9. Hunter says:

    I agree wholeheartedly with Conchita over Trackshittaz. I watched the last hour or so of the Austrian final, and I was certain Conchita had it in the bag. Although, Trachshittaz’s song grew on me (albeit slightly) before Baku, their Semi-Final performance was terrible. I’m certain that Conchita could have made it to the Final and could have done well. It’s one of my favorite songs from this year’s Eurovision season, and I’m very sad it didn’t get to Baku.

    I don’t care if the voting was rigged, Belarus should have stuck with the original result. Why didn’t they just pick it without a final? “All My Life” is far and above better than “We Are the Heroes,” especially what “We Are the Heroes” became in Baku.

  10. Ciaran says:

    Also , criticise the song Woki Mit Deim Popo but the trackshittaz themselves are 2 of the nicest lads, in every interview they gave they were friendly and respectful, not rude at all.

  11. BBAnne says:

    You missed out Denmark, there were so many good songs in DMGP, and they picked the duff one. Jesper Nohrstedt or Karen Viuff would have carried on their good run of results

  12. Samander says:

    “I’m certain that Conchita could have made it to the Final and could have done well.”

    If Dana failed to make the finals last year why would a cheap imitation do any better this year.

  13. Ciaran says:

    “I’m certain that Conchita could have made it to the Final and could have done well.” If Dana failed to make the finals last year why would an imitation do any better this year.

  14. Roy van der Merwe says:

    My favourite in Norway was also Plumbo – purely on the song – I didnot like their look.

  15. I think Norway made the right choice with Tooji, as good as a song as Ola Nordman is, I don’t think it would go down so well in Europe. Austria should have sent Conchita, it would have saved Austria from getting a last place in the semi final. For Finland it has to be “Antaa Menna” by Mica Ikonen, it’s one of the songs that I have played multiple songs since I looked at the National Finals, it would have had more of a chance than Pernilla.

    Ultra Nate would have done brilliantly for Switzerland, it was the one song I was shocked at not to see in the final list of songs back in December. I really think Switzerland missed a huge chance their. If Belarus had never changed Litesounds song they would have done far better. I don’t think Blar Opal should have gone instead, but keeping Never Forget in Icelandic added to the mystery of it, I was annoyed when it changed language. Jedward were always going to go back for Ireland, I do agree though that Andrew Mann would have done so much better for Ireland, it was a song that would have got them more points. For Latvia, they sent pirates in 2008 and since then they have not made it into the final, so sending Music Thief would have got Latvia into the final.

  16. Ewan Spence says:

    Because the ‘ cheap imitation’ could actually sing.

  17. Ahh I meant “Laiskaupunki” by Ville Eevartti instead of “Antaa Menna” by Mica Ikonen.

  18. Miss Purple says:

    Oh, on Latvia – I highly doubt another joke act could’ve got them into the final this year. In fact Latvia’s problem is that they mostly send jokey/gimmicky songs, if they had juries in 2008 there is no way they would’ve qualified. They should look at their Estonian neighbours and revamp how they select Eurovision songs.

  19. I agree that Latvia seems to be incapable of picking the right song, it seems that Latvia has an attitude to the contest that Lithuania and Estonia don’t have. Estonia take it seriously and Lithuania has shokced us in the past couple of years. Latvia just needs to up their game.

  20. Qwaar says:

    Latvia should have sent Samanta Tīna & Dāvids Kalandija. It was the only song that stood out in a terrible NF.

    I want to say that Plumbo should have gone, but I kind of fell in love with Tooji, so I can forgive them that.

    Greece should have selected Velvet Fire. The song was like nothing Greece had ever sent before.

    Ireland should have sent Donna McCaul. Her song was catchy and modern. It would have done well.

    Malta should have sent Gianni or Amber. Both would have brought something a bit different instead of the trashy Europop that Kurt brought.

    I would have liked to have seen Estonia send Mimicry, but clearly sending Ott was a good choice.

    Last but not least, Ukraine should have sent Olya Polyakova. Her song was upbeat and catchy with a nice little stage gimmick to go with it.

  21. Ciaran says:

    Ewan, Dana could sing a lot better than Conchita

  22. Ewan Spence says:

    I believe we were discussing Dana International, not Dana Domestic 😉

  23. maaian says:

    Completly agree with Iceland and Norway. both fantastic songs

  24. Kalevi says:

    I’ll admit I didn’t pay a whole lot of attention to Uuden Musiikin Kilpailu as I could have, but judging by the contestants who made it through to the end, Pernilla was really Finland’s best choice. Perhaps Ville Eetvartti, but his song sounds very similar to Kurt Calleja’s from Malta. I’m still very annoyed that Finland slipped out of the final, would’ve traded Eleftheria or Jedward for Pernilla in a heartbeat.

    I’m curious as to how Lenna Kuurmaa would have done had she won Estonia’s ticket to Baku over Ott. I watched Eesti Laul all the way through and I thought they had the best two songs of the whole contest as well as the best vocal performances (Mimicry comes to mind with out-of-tune octaves!), and when it came down to the two of them, I really had no idea who I would have preferred to send. Obviously Ott was an excellent choice, but I really wonder how Lenna would have done.

  25. Ben says:

    Oof, there are some here I really don’t agree with. Ewan you’re absolutely right in saying Austria should have sent the “song” over the “performance.” …and then you said Conchita Wurst. Are you kidding me?! If you put Trackshittaz next to Conchita Wurst in front of an A&R manager, who do you think they’d say will sell more, have more musical credibility and talent and are simply more relevant, regardless of Eurovision? Conchita Wurst is nothing but a gender-politics act with a passable voice and a song fit for no more than some dodgy underground lounge in Amsterdam. If Austria was going for the song then it should have been Deladap hands down. Their second song was better than their first as well, I could personally see that on a Michael Jackson album with some re-arrangement.

    Belarus – Litesound were the right choice, but they shouldn’t have touched the song. I think people are in unanimous agreement there.

    Finland – Nope. As soon as I went through the first demos, I knew Pernilla would win. Head and shoulders the best song… but poorly staged in Baku, by which I mean the choice of red and green as a colour scheme. I mean… what? Finland played their cards to the best of their ability this year.

    Latvia – …Can bugger off. I genuinely wish they would withdraw. They contribute nothing of any value. When I went through the finalists brutally giving them about 10 seconds to capture my interest one way or another, I backed Disco Superfly on impulse.

    Iceland – I followed this one closely because they are my favourite country in the contest both musically and culturally. I was not once affected in any way by Mundu Eftir Mer. It was too dramatic and not listenable enough compared to Magni’s “Hugarro” (that piano melody is hauntingly beautiful..) and even Greta’s other song with her girls would’ve been better for me. I started to back the song more once I saw the stunning music video and was able to hear it in English, but as a nice song that I would listen to and keep for a long time and would become a fan of the artist based on… no, it just doesn’t do any of that.

    As for Stattu Upp, don’t let face results blur your judgement, Ewan, Stattu Upp was voted so highly by children. I have an Icelandic friend who reliably informed me that the whole band is basically like an Icelandic CBBC group. They didn’t have total public support, just a very excited minority fanbase.

  26. Seán says:

    This is an interesting lot of picks, Ewan, but I’m going to say Iceland should have stuck with Greta & Jonsi. They had a pretty unique song. Despite the over hyped national final I think Iceland made the right choice. Everything else in their just screamed non-qualifier.

    For Ireland, sending Jedward was an obvious choice, however it does reflect the lack of imagination in RTÉ. Like Finland, Ireland sent something we’re proud of [though no one will ever admit to it]. I think like in any competition sometimes it goes your way sometimes it doesn’t. That’s life. I really don’t think another ballad could have changed that.

    Call me a fan of the oldies, but I really would have loved to see Norway send Bobby Bare, and to have seen Lys Assia go for Switzerland, neither would have won but they would have made things more interesting.

  27. RGB says:

    For those talking behalf of Norwegians: Do not include everyone. Tooji was a great embarrassment! I don’t like the song, and I do not like Tooji – and I am not the only one. This “Tooji made us proud” is some sort of group preassure forced by the loudest speaking fans.

    Tooji sucked, came last in a final he did not deserve to be in – end of story!

  28. Keley Ann says:

    Still gutted that Ultra Naté didn’t even make it to the Swiss final – an utter waste!

  29. CreepyCosy says:

    I think you are very wrong about Austria. A drag act – that’s JUST what puts the reputation of ESC down, just like it was all some kind of “gay freak show” (no offence!). Sorry, but that’s the truth. I don’t mind drag acts as such, but it just looks silly in ESC. Austria didn’t do well with their song, but I think they have the honour for it. It was a quality song, and a breathe of fresh air. Conchita Wurst would be anything but that!

  30. CreepyCosy says:

    I think Switzerland did the right choice, a great rocky song. Belarus too. Latvia usually has good songs, but this was a bad one.

  31. Martin in New York says:

    I’m with you Ewan – I definitely believe that Conchita would have made it to the final. It was a strong song and Conchita (you are right) unlike Dana could hold her notes and sing well. That said, with a bearded “lady” I do think that Iranian/Muslim fundamentalist terrorists might have worked that little harder to make sure they might have achieved their aims.

    As for Iceland, I think Magni would have been a stronger entry this year. But I really enjoyed FATHERZ’N’SONZ – RÝTINGUR and I would have loved to have seen them in Baku.

  32. Emma says:

    Agree with most of your right choices but I disagree with a lot of these. Ola Nordman (sounds like a bad joke about Minnesota) wouldn’t have collected any points outside of Scandinavia. It’s not an awful song but it’s weird and in the semi-final, MAYBE the Swedes would have picked up their phones for it. Probably not.

    Disagree about Belarus too. True, last time they qualified they did so with the cheesiest song of all time (not to say that Butterflies wasn’t fantastic though 🙂 ) and Litesound obviously didn’t qualify but a bad, cheesy ballad would have only made things worse. There were *way* too many ballads in that semi and they had the voting allies (the Balkans) or the quality (Estonia) or both to back them up. Totally agree with everyone that song should have remained rock though.

    And Switzerland–I think the draw and lack of allies and Hungary’s all-too-similar presence damned them. Unbreakable was a fab song, it was exciting and a joy to watch but it had a lot going against it and it *just* missed out on qualifying.

    I do agree about Ms. Wurst from Austria–a pity they sent bad rap and pole dancers (in German!). Obviously, they couldn’t have done worse than last place overall (I suppose they could have gotten even fewer points but somehow, I doubt that) and since none of the acts screamed “GAY!” this year it might have stood out Also agree about Finland–what were we thinking, singing in Swedish when most of the world doesn’t know it’s an official language and when Sweden who might have given us pity peanuts is voting in the other semi? Is this the country that brought us HRH and Da Da Dam?

  33. Michael says:

    @Emma, I’m assuming you’ve heard Sven and Ole jokes? I worked with a professor from Minnesota once, and he opened up every Friday class with a Sven and Ole joke. Also, “Butterflies” was awful. Their costumes were trying to be the child’s soft-rock version of Lordi and it was just annoying. I felt the same way about the Netherlands this year — the song was annoying and the costume was even worse. And I believe that it was borderline offensive to Native Americans.

    I loved “Ola Nordman”, but I’m not sure it would have had much mass appeal. In other words, I don’t know if it would have done better than Tooji. Another song from MGP that I liked but didn’t even make it to Oslo was “Så Vidunderleg.”

    “Stattu Upp” was great but 1) there was no way to translate that song to English and it still keep its character and 2) it wouldn’t have any impact on Europe in Icelandic. It would have stood out from everything around it. @Ben, I found a video of Blár Ópal performing “Stattu Upp” at an elementary school in Reykjavík. Have you heard their new song “Stúlkan?” I quite like it.

    I think Iceland had the strongest NF of any country this year, and not just the final, but from the semis. Regína Ósk Óskarsdóttir had the beautiful, jazzy “Hjartað Brennur” and she has experience on the Eurovision stage. “Hey” is the most Icelandic song to ever grace the halls of Harpa. (Okay, so that’s not hard because I was in Iceland just over a year ago and Harpa wasn’t quite finished, but it’s still amazingly Icelandic.) For your electropop schlager, you’ve got Herbert Guðmundsson’s “Eilíf Ást,” which also didn’t make the final.

    My one and only problem with Switzerland was that the line “swim against the stream” sounded like “swim against the swim” to my American ears.

    I think Denmark should have sent “Venter,” which did make the super-final of DMGP. Or “Take Our Hearts,” the third song in the super-final. Basically anything else in DMGP. I never liked “Should’ve Known Better.” Denmark should’ve known better than to send that song to Baku. (Sorry, I had to make the joke.)

  34. OrangeVorty says:

    I agree with Miss Purple on both counts – Plumbo are dreadfully dated, dull and dour with a hybrid that grates and looks that might have performed mid-table in the 90s… but twenty years later? Not a chance. I too sit in the minority that preferred Belgium’s other song – a much stronger and more distinctive ballad methought. I’m with you on Alyona for Belarus as Litesound were a real disappointment on the night with a song that not even the president would have recognised from the final. I can even imagine that All My Life would have ironically been ‘rocked-up’ had it qualified.

    I never liked Trackshittaz and wasn’t a big fan of Conchita Wurst however the song is stronger and Austria needs to get into the habit of sending decent songs that do quite well as a follow on from last year’s much improved fayre – unfortunately they didn’t… and they haven’t. However, judging by this video instead of Pernilla, Finland should have sent… nothing. With standards this low, why do they think they actually need to enter when the outcome is a dead cert?

    The Mad Show Boys use an acordian and that for some reason reminds of the Pirates of the Sea – one of my most hated entries ever – and for that reason I should say ‘no’ but because it’s a better parody done with more thought and wit than ‘Beautiful Song’ I agree with you that this would have been a better entrant. Conversely, how a song like ‘My Love’ doesn;t make it through the a national finals process is beyond me. I liked the Swiss entry this year but its fate was obvious and Ultra Nate stands out as a much more credible artist. The only way I can rationalise this is that the Swiss thought the song to be not Swiss enough – despite having and international entry rule. Next year she shoudl add a sample of a cuckoo clock or something in the mix.

    I’ve not heard Blar Opal until today and whilst the song is catchy I object to boyband rejects and James Corden look-a-likes entering the contest. Catchy? Yes. But we’d have been sick of this song before it even took to the stage for rehearsals. Musically thin, lyrically weak (when translated into English) and stylistically-confused, I prefer Greta and Jonsi infintesimally more. As for Ireland, I’m glad they sent Jedward a second time because I’m sure it means we won’t see them a third time… ever. With an act as self-centred as The Grimes Twins, only confirmation from the Eurovision score board itself would alert them to the fact that they aren’t as good as they were last year. But somewhere in the wings of the Azeri stage I hear the faint sound of Louis Walsh’s voice shouting “not to worry boys, no publicity is bad publicity!”

    I would just raise two more for discussion… Despite a decent ranking this year, Malta shoudl have sent Claudia Faniello with ‘Pure’ and even though Anri can clearly sing Georgia should have sent anything but “I’m a Jocker!”

    Oh! What a long response. But I really like articles like this.

  35. Ewan Spence says:

    …and we love comments like this as well!

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