Eurovision Insight Podcast: Junior Juke Box Jury #2 Written by on November 21, 2017 | 1 Comment

You can listen to Junior Juke Box Jury and our daily podcast from Junior Eurovision on the ESC Insight podcast. Add the RSS Feed to your favourite podcast application, or click here to follow us in iTunes and never miss an episode.

Time for our second round of Junior Juke Box Jury as we hand out the hits, the misses and the maybes to five more performers who will be tkaing to the stage in Tbilisi’s Olympic Palace on Sunday 26th November.

Eurovision Insight Podcast: Junior Juke Box Jury #2
with Lisa-Jayne Lewis and Richard Taylor

Macedonia: Dancing Through Life, by Mina Blažev.
Georgia: Voice Of The Heart, by Grigol Kipshidze.
Poland: Mój Dom, by Alicja Rega.
Serbia: Ceo svet je naš, by Irina Brodić & Jana Paunović.
Belarus: I Am The One, by Helena Meraai.

Don’t miss an episode of the Eurovision Insight podcast by subscribing to the RSS feed dedicated to the podcasts. iTunes users can find us in the iTunes Store and get the show automatically downloaded to your computer.

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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One response to “Eurovision Insight Podcast: Junior Juke Box Jury #2”

  1. Eurojock says:

    FYR Macedonia – Good song. My third favourite song. The panel have totally echoed my thoughts on this. Like last year, I can see this not doing well in the contest. As an adult orientated song it may suffer in comparison with Belarus. MAYBE

    Georgia – For me this harks backs to the 80s and Michael Jackson after he had lost his way musically. I can’t see this appealing to young voters at all. However, I suspect young Grigol will have one of the strongest live vocals in this year’s contest and this could attract adult jury votes. MAYBE

    Poland – Poland have effectively sent the same song as last year. It sounds like the sort of worthy and dated adult Eurovision ballad that these days fails to make it out of the semis. That said, Alicja has a lovely voice and could well deliver the strongest live vocal in this year’s contest. And then there are the online votes. MAYBE

    Serbia – The fact that this song stands out from the rest may mean it does better than we would otherwise think. Mid-table at best. MAYBE.

    Belarus – Very strong song. Probably my personal favourite (although the Russian video package may be stronger) – but is it too adult orientated? HIT

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