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Eurovision Insight Podcast: No Statistical Impact Written by on November 14, 2012 | 2 Comments

It’s all got rather busy in the last week with Eurovision news. From rule changes and deadlines, to shifting dates for National Finals and performers being announced there’s a lot to get through since the last Insight podcast.

And yes, it’s picked up enough that the Insight podcast switches over to being a weekly show. We’ll have a week of coverage from Junior Eurovision starting on Tuesday 27th, then we have a bundle of National Finals in December. Going to be busy right up until the end of the year.

Eurovision Insight Podcast: No Statistical Impact

More thoughts on the new running order rules, more confirmed performers for the National Finals, JESC interval acts. Hosted by Ewan Spence, with music from LA The Voices.

Don’t miss an episode of the Eurovision Insight podcast by subscribing to the RSS feed dedicated to the podcasts. iTunes users can find us in the iTunes Store and get the show automatically downloaded to your computer. Looking for the 2012 Eurovision MP3′s?  and help the ESC Insight team pay the bridge tolls between Copenhagen and Malmö.

 

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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2 responses to “Eurovision Insight Podcast: No Statistical Impact”

  1. Ben says:

    Proposal for a topic of discussion: When is it better to just send a ridiculous novelty song and hope for a Babushki/Serduchka result rather than try to go with the best of a bad bunch?

    Case in point, Belarus’ 2013 line up.

  2. Ewan Spence says:

    The problem is not the ‘novelty’ of a UK song but how well the PR machine promotes the song around countries that are not the UK. The Babushki were the PR story of choice, and had huge crowds around Baku. Unlike the Trackshittaz. Serduchka again had an easily accessible story and was promoted very very well. Contrast that with the amount of PR that Humperdinck did leading up to and during the Contest… he continued to play in Atlantic City, and then did an interview with SBS TV for Australia. Can you spot the fail there?

    I could argue that Humperdinck himself was a ‘novelty’, we’ve tried that route, so let’s send Rachel Sermanni instead.

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